For her application essay, she tells the story of a year from her childhood, and how it shaped the person she has become today narrated by Aimee Garcia. Flor Moreno Paz Vega is a poor Mexican single mother who moved to America traveling " economy class " according to Cristina's essay years earlier seeking a better life for her and her daughter, Cristina. John is a successful chef and an easy-going man who enjoys cooking and spending time with his children, while Deborah is a former businesswoman turned stay-at-home mother, and Evelyn is slowly developing into an alcoholic.
A chronicle of three decades of gang wars, it has proved compelling viewing for audiences worldwide. If you believe the cultural pessimists, Hollywood pap has driven out films like Cidade de Deus, as it is known in its home country.
It is a Brazilian film, in Portuguese, by a little-known director, with a cast that includes no professional actors, let alone Hollywood stars. Its focus is not a person at all, but a drug-ridden, dirt-poor favela slum on the outskirts of Rio de Janeiro that feels as remote from the playground of the rich and famous as it does from God.
Yet City of God has not only made millions at the box office, it has also sparked a national debate in Brazil. It has raised awareness in the United States, Britain, and elsewhere of the terrible poverty and violence of the developing world.
All that, and it makes you wince, weep, and, yes, laugh. Not bad for a film distributed by Miramax, which is owned by Disney, one of those big global companies that globaphobes compare to cultural vandals. A lot of nonsense about the impact of globalization on culture passes for conventional wisdom these days.
Its enemies are national habits, local brands and distinctive regional tastes. Europeans and Latin Americans, left-wingers and right, rich and poor — all of them dread that local cultures and national identities are dissolving into a crass all-American consumerism.
That cultural imperialism is said to impose American values as well as products, promote the commercial at the expense of the authentic, and substitute shallow gratification for deeper satisfaction. If critics of globalization were less obsessed with "Coca-colonization," they might notice a rich feast of cultural mixing that belies fears about Americanized uniformity.
Although — as with any change — there can be downsides to cultural globalization, this cross-fertilization is overwhelmingly a force for good. The beauty of globalization is that it can free people from the tyranny of geography. Just because someone was born in France does not mean they can only aspire to speak French, eat French food, read French books, visit museums in France, and so on.
That we are increasingly free to choose our cultural experiences enriches our lives immeasurably.
We could not always enjoy the best the world has to offer. Globalization not only increases individual freedom, but also revitalizes cultures and cultural artifacts through foreign influences, technologies, and markets.
Thriving cultures are not set in stone. They are forever changing from within and without. Each generation challenges the previous one; science and technology alter the way we see ourselves and the world; fashions come and go; experience and events influence our beliefs; outsiders affect us for good and ill.
Many of the best things come from cultures mixing: Behold the great British curry. Western numbers are actually Arabic; zero comes most recently from India; Icelandic, French, and Sanskrit stem from a common root. John Stuart Mill was right: It is hardly possible to overrate the value, for the improvement of human beings, of things which bring them into contact with persons dissimilar to themselves, and with modes of thought and action unlike those with which they are familiar.
For a start, many archetypal "American" products are not as all-American as they seem. Even quintessentially American exports are often tailored to local tastes.
In some ways, America is an outlier, not a global leader. Most of the world has adopted the metric system born from the French Revolution; America persists with antiquated measurements inherited from its British-colonial past.
Most developed countries have become intensely secular, but many Americans burn with fundamentalist fervor — like Muslims in the Middle East.Broadcast News is a American romantic comedy-drama film written, produced and directed by James L.
alphabetnyc.com film concerns a virtuoso television news producer (Holly Hunter), who has daily emotional breakdowns, a brilliant yet prickly reporter (Albert Brooks) and his charismatic but far less seasoned rival (William Hurt).It also stars . Spanglish in the United States Essay March, Spanglish in the United States I grew up in a predominately Caucasian neighborhood and because of the .
Children and Teens Videotapes in the Media Resources Center, UC Berkeley. Tracy Lindsay - Morning Smile Seeing sexy Tracy Lindsay step out from the lodge naked, her athletic body in profile, is incredible.
It's morning and this stunning blonde is up early to enjoy the tranquility of the first light, sitting on a pillow in her yard, sipping coffee. We recently decided to show a movie to our 6th, 7th and 8th grade students on the last day of school.
But when we started brainstorming ideas we had some difficulty coming up with movie titles that (a) the students would like and (b) we thought would be worth showing.. Listed below are the movies we came up with after consulting a variety of .
welcome to young, colored & angry! we're so glad you're here. YCA is an online magazine that exclusively features the work of young People of Color from around the alphabetnyc.com this issue, you'll find poetry, visual art, and essays coming out of NYC, LA, London, Accra & more!