Tennyson, the fourth of twelve children, showed an early talent for writing. At the age of twelve he wrote a 6,line epic poem. His father, the Reverend George Tennyson, tutored his sons in classical and modern languages. In the s, however, Tennyson's father began to suffer frequent mental breakdowns that were exacerbated by alcoholism.
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In his life, he created two major books of poetry: Vita Nuova and The Comedy. The Comedy, which was later renamed The Divine Comedy, is an epic poem broken down into three books in each of which Dante recounts his travels through Hell, Purgatory, and Heaven.
The first installment of The Comedy, Dante's Inferno, is an especially magnificent narrative. He narrates his descent and observation of Hell through the various circles and pouches. An excellent poet in his own right, admired much about Virgil also spelt Vergilrevering him to such an extent that he turned him into the guiding character, the teacher to Dante the pilgrim, in the Purgatory and Inferno.
Dante borrowed from Virgil much of his language, style, and content. As Erich Auerbach writes, with reference to Dante's extensively ordered otherworld, "Dante had no true precursors, except for the sixth book of the Aeneid.
Though much of Dante's Hell is original, he seemed to use the Aeneid as a base and that which he did extract from the Aeneid, he carefully adapted for his own purposes and beliefs.
In pursuing his Christian vision of the afterlife, Dante created an otherworld theoretically and doctrinally different from, yet still inescapably reminiscent of Virgil's Underworld. Dante, of course, structured his Hell to fit the confines and fundamentals of his Christian ideology, but still used The Aeneid as his foundation.
Thus, in order to portray the Christian universe and to represent the afterworldly concepts of justice for one's actions during life, Dante looked to Virgil's Aeneid for both, the inspiration to create and the tools to do so. Similarities between Virgil's Underworld and Dante's Hell are quite noticeable to even the untrained eye.
The entrance or gate to Virgil's Underworld in the Aeneid marks a sharp division, as also found in The Inferno, between the land of the living and the land of the dead.
A foreboding vestibule precedes the entrance to the Underworld, purposely there not ease any journey toward the heart of Hades, and help remind them that this is the afterlife they chose. Inhabiting Virgil's vestibule are the causes of death, incarnated into spiritual forms as agents of death Virgil,but they are not clearly seen forms, nor are any of the forms in both, Virgil's and Dante's visions of Hell.
All the Underworld in Dante's and Virgil's interpretations is portrayed in a shadowy, colorless environment to create the illusion of death and hopelessness. Justice it was that moved my great Creator; Divine omnipotence created me, and highest wisdom joined with primal love. Before me nothing but eternal things were made, and I shall last eternally.
Abandon every hope, all you who enter.
Virgil places high importance on this vestibule to delineate clearly one main difference between the Underworld and the outside: The presence of the agents of death, most notably "Sleep the brother of Death" Virgil,are here to symbolize the transition from the world of life outside the vestibule, to a room full of the causes of death, and finally lead to the land of death itself Hell itself.
The vestibule can be considered to be a no-man's-land, your not completely in Hell yet, but there's nowhere else to go except down. Dante's Hell is also preceded by a foreboding vestibule which is home to the souls who could not decide to do good or evil with their lives.Search for writing contests in your genre Discover the finest writing contests of for fiction and non-fiction authors of short stories, poetry, essays and more.
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Byron wrote the first two cantos of Childe Harold’s Pilgrimage during his travels to Europe in He revised and published them in March He revised and published them in March Byron envisioned Childe Harold’s Pilgrimage as a poetic travelogue of his experiences in Portugal, Spain, Greece, and Albania, areas of Europe not.
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