Graphology is a graphical projective technique that studies the handwritten structure with the objective of getting to the most intimate side of the human being. Among the different graphological schools we find: Gestalt Graphology, represented by German philosopher Ludwig Klages —who applied the psychological theory of Gestalt to Graphology, considering the human personality as a whole, contributing to graphological analysis with a holistic approach of graphical space.
ZONES We will divide the individual letters into three zones to better understand how the writer makes specific use of their mind UZtheir emotions MZ and the physical elements in their environment LZ.
In the English alphabet, which is also used for most European languages, including French, German and Italian, a part of every letter is found in the middle zone. The upper zone has six bizonal letters: The lower zone has six bizonal letters: The middle zone has thirteen single zone letters, the five vowels, a.
The letter "f" is the only trizonal letter in the alphabet. Wherever you find extra emphasis of size, embellishment, width, simplicity, force or meagerness, this is the zone the writer is expressing most strongly at that moment of writing.
This is why we need more than one sample of writing for a full, in-depth analysis; it eliminates a "mood-of-the-moment" interpretation. Examples and what to look for are in the Handwriting Insights deck.
Connections In American schools, writing is usually first learned by using the manuscript printed form. As the writer matures he learns the more sophisticated method of joining letter forms called cursive writing. The four most common connective forms are garlands, arcades, angles and thread.
You will learn to recognize each type of form and how to interpret its use within the writing.
None of us uses one connective exclusively. One form usually dominates and an another is secondary. The other two forms of connectives may also be present to a lesser degree. Combinations of writing form reveal the personality in each writing, but only in part. You still must take into consideration the arrangement of the writing and the symbolism of margins, zones, spacing and slant.
The most common form of connective between letters is the cup shape of the garland, curved at the bottom and open at the top.
It can be found in all three zones, between letters, within letters, even at the beginnings and endings of words. The garland is a soft, easily stroked connective depicting the writer who is receptive, compliant and easy going. He may be warm and sympathetic, empathetic and sentimental.
He is open and responsive to the people and the environment around him. The writer who uses many garlands is often said to be "people oriented".
He feels before he thinks.
The arcade, or inverted garland, is shaped like an arch, curved on top and open at the bottom. M's, n,s and h's are the most obvious arcade formations in the alphabet. You may also find arcades between letters especially in the connection between o, v and w and the letter which follows them.
Usually mixed with other connectives, the arcade is used by the creative personality. This writer is a constructive thinker, one who deliberates before making up his mind. He may use this slow and deliberate action as a form of cautious contrcl and self protection.
There is a certain dignity and formality in the writer who uses arcades to a dominant degree. The speed and energy used by many writers often produces abrupt changes of direction which create an angle at the baseline and sometimes at the top of the letter.
This sudden change of direction must also make a pause before the writing can proceed. An angle interrupts smooth flow of thought and action, and an abrupt manner is often the result.
The writer who habitually uses angles is often analytical, tense and self disciplined.
He usually can see more than one approach to a problem and therefore often has some degree of executive ability. He uses will power to direct and control his actions. Thread is the least used of the connectives, and sometimes is the hardest to recognize.
There are three general types of thread. You may need to use your magnifying glass to be sure you are looking at thread.SIGNATURE, PROMINENT IMAGE wants to be seen as having a position of status and power -LARGE SIGNATURE SIZE RELATIVE TO SAMPLE SIZE SIGNATURE, PRIVATE IMAGE wants to go unnoticed by the public- SMALL SIGNATURE SIZE RELATIVE TO SAMPLE SIZE.
Signature Analysis is based on seven components which are: 1 Size of the Signature. 2 Slant of the Signature. 3 Use and Size of the first name and the last name. 4 Underlining in the signature. 5 Size of the first letter of the signature. 6 Loops or backward strokes . Large signature: this shows a sense of high status -which may in real life be the case, but in terms of the signature that is not the point — of having value.
If the signature is larger than the handwriting, the writer carries a pretence of higher self esteem — and confidence — than is the case. It is a ‘front’. Large flourishing capitals on a signature This entry was posted in capital letters, Handwriting Analysis and tagged Communication, hand writing analysis.
Bookmark the permalink. Signature analysis says that often, we choose signature styles without knowing they may harm us Hollis Arnold on Handwriting in all capital: Why people write in block letters; Write Choice on Testimonials; Most Read. Handwriting in all capital: Why people write in block letters Signature Analysis Tips: 5 dangerous signature styles you.
The letter o is a communication letter. This trait and other levels of communication are shown in the lower case letter o.
You can also see other traits in the letter o, such as: secretiveness, self-deceit, talkativeness, and frankness.