More radical styles like the hobble skirt and the lampshade skirt each enjoyed their moment in the sun. The Edwardians became more playful and innovative, taking an interest in asymmetrical draping techniques.
Women's fashions of the s were typified by Less tailoring leading to an abandonment of the corset A tubular silhouette erased the typical feminine shape Dropped waistlines created a long, slim figure Shorter hemlines made it easier to drive cars and move quickly Women's fashions of the s are a large part of the Jazz Age identity.
New technology and the end of the horrors brought about by World War I and the Flu Pandemic gave rise to a youthful exuberance personified by the Flapper. Contrary to popular misconception, the short skirts and bold make up of the flapper did not rule the fashion of the day but were an iconic and memorable look.
Fashion periods are usually distinguished by the female silhouette which presented a boyish figure with flattened breasts and loose clothing for most of the decade. The drop waist shift dresses of the s relieved women of the last vestiges of Edwardian formality.
Less tailoring, as well as the availability of the sewing machine meant that women could easily make fashionable clothing at home so that high fashion was no longer restricted to the elite. Women felt empowered when they won the right to vote in the US, for 21 year old women in Britain.
The widespread use of the automobile, radio, and increased educational opportunities encouraged young women to cut off their hair and kick up their heels.
They drove cars and disregarded tradition. Gender specific clothing began to fall by the wayside after women worked in munitions factories during the Great War.
A kind of cynicism that came in the aftermath of the World War I and the devastating flu pandemic of created a youth culture that glorified fast living, dancing, and the exciting sounds of syncopated jazz described by the writer F. Scott Fitzgerald as the Lost Generation.
The youth drank in carefree disregard of Prohibition which outlawed the manufacture, sale, and distribution of alcohol but not its consumption and lost respect for authority and traditional morals. Young women smoked cigarettes and danced the Charleston and Blackbottom, typified by fast, jerky movements.
Short skirts allowed greater freedom to dance; and plunging necklines, and low backs put more of the female body on display than ever before.
Flappers incorporated an unusual use of clothing into the wild new style. Flappers rolled stockings below the knee, and wore unhooked rubber galoshes that flapped when they walked.
Skirt hemlines began to rise in when skirts stopped just above the ankles. Byhemlines had risen to just below calf length and for the next several years showed variations of a few inches one way or another.
In the early s, uneven hemlines gave the appearance of shortening when uneven, scalloped, and handkerchief hems became fashionable.
The short skirts of the Flapper was generally worn by younger women while older women wore longer skirts. Byasymmetrical skirt hems brought hemlines back down. But fashions brief flirtation with short hemlines gave us the image of the modern woman, a style that continued more or less throughout the 20th century and into the 21st century.
Women's Underwear of the s Rejection of the stiff tailoring of earlier styles made corset sales plummet. A new, elasticised corset replaced the old, stiff, restricted whalebone corsets of the past. Young women flattened their breasts with fabric bands to enhance a slim, boyish figure.
As hems rose, the legs were suddenly and shockingly on display. Silk and rayon stockings hooked onto long 'girdles' with snap on garters. Stocking came in shades of colors that gave the appearance of bare legs.
Flappers rolled their stockings to just below the knee for ease of movement while dancing. Long, belted blouses, and Russian peasant style embroidery simplified the look of women's clothing.
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